Edgar Olivier Charles (CA)

A fascination for the ghosts within records. The music on records as « field recordings ». Structuring sound through misinterpretation, « cutting & pasting » your way through traces left by others. Juxtaposing histories. Becoming histories. Delusions. Library of Soundtracks and Détournements.

PLAY 3: Post-pop, amusing and corroded

Monument-National 29/05/2009

A fascination for the ghosts within records. The music on records as « field recordings ». Structuring sound through misinterpretation, « cutting & pasting » your way through traces left by others. Juxtaposing histories. Becoming histories. Delusions. Library of Soundtracks and Détournements.

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