Maotik & Metametric (CA/FR)

Since the early 1990s, prolific composer Jean-François Pedno has dabbled in a plethora of vastly dissimilar musical worlds. He has scored over 40 theatre, dance and film productions. Before his solo electroacoustic work first attracted attention abroad in 2000, Pedno was already known as an esteemed chamber-music player, percussionist, and improv musician. In 2002, he released his first electronic album under the Jeff Nô moniker. This was followed in 2010 by Durations, as Metametric. At once granular techno and electroacoustic fever dream, Durations consists of loose reworkings of 20th century indeterminate music pioneer Morton Feldman’s Durations 1-5. For this live rendering of Durations at MUTEK.ES, Pedno will manipulate percussive sounds and melodies, synchronizing the tampered audio bits with generative, geometric visuals on a panoramic screen. Sharing an interest in how time and space are perceived, Pedno collaborated with visual artist Mathieu Le Sourd (Maotik/Dromos) whose audioreactive geometries perfectly complement the granulation of the sounds. 

A/VISIONS 3 - I
MUTEK 2015, bogota

Planetario de Bogotá 26/09/2015

Omnis is a live AV performance who take its inspiration from the concept of ubiquity, the capacity of being everywhere at the same time. New technologies are affecting today's changes of human life, the capability of transferring information instantaneously all over the world, dramatically modifies our perception of space, time and relationships. Our contemporary society splits distance sizes and removes time scales to keep only the tiniest time, the “here and now”.
 
The performance invites the audience to experience this aspect that impact our daily life. Using minimal aesthetics and audio reactive behaviour, the evolution of the rhythm influences the dimension of the environment. The audience experiences a gradually destabilizing environment where the media's flux will be added to each other until reaching the limits between technology and space.
 
The idea is to associate space perception with the notion of time through a myriad of visual variations such as 3D Mesh Morphing, digital textures and superposition effect. Relevant datas retrieved live are translated into visuals in order to get closer to the unreachable moment, the instant.
 
During 30 Minutes [Omnis] immerses the audience into a sensory-heavy experience where a serie of optical illusions and reverbation of the space challenges the participant's sense of depth and time.

DIGITAL QUÉBEC

British Film Institute 13/03/2015

Omnis is a live A/V performance, which takes its inspiration from the concept of ubiquity – the capacity of being everywhere at the same time. New technologies are affecting today's changes of human life; the capability of transferring informations instantaneously all over the world dramatically modifies our perception of space, time and relationships. Our contemporary society splits distance sizes and removes time scales to keep only the tiniest time, the “here and now”. (30 min).

NOCTURNE 1
MUTEK 2014, montreal

Musée d'art contemporain de Montréal 29/05/2014

Since the early 1990s, prolific composer Jean-François Pedno has dabbled in a plethora of vastly dissimilar musical worlds. He has scored over 40 theatre, dance and film productions. Before his solo electroacoustic work first attracted attention abroad in 2000, Pedno was already known as an esteemed chamber-music player, percussionist, and improv musician. In 2002, he released his first electronic album under the Jeff Nô moniker. This was followed in 2010 by Durations, as Metametric. At once granular techno and electroacoustic fever dream, Durations consists of loose reworkings of 20th century indeterminate music pioneer Morton Feldman’s Durations 1-5. For this live rendering of Durations at EM15, Pedno will manipulate percussive sounds and melodies, synchronizing the tampered audio bits with generative, geometric visuals on a panoramic screen. Sharing an interest in how time and space are perceived, Pedno collaborated with visual artist Mathieu Le Sourd (Maotik/Dromos) whose audioreactive geometries perfectly complement the granulation of the sounds. 

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