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Known as one half of haunted, bass pushing duo Sibian & Faun (alongside childhood pal Xavier Léon), Montréaler Milo Reinhardt’s creative schemes have long embraced the draw of dystopic panoramas, whether these foreboding flickers be melded into S&F’s expertly crafted, future R&B or /||\||\’s forthcoming, savagely smoggy imagery. As Sibian & Faun, Reinhardt and Léon caught the eyes and ears of industry tastemakers with I’m Sorry (2011), their debut EP of slowed down, spookily choppy soultronica for revered Glaswegian imprint Numbers. Reinhardt’s latest solo alias, /||\||\, is the perfect summation of his consciousness elevating practice as an A/V artist. /||\||\’s pending performance debut promises audio reactive visuals that evoke murky street clashes and monochromatic chaos, developed by susy.technology. All of this violent, post-human imagery is to be tightly synchronized to sound, while leaving room for live tinkering by an additional collaborator. This projection mapped piece of dogged digital artivism will mark Reinhardt’s return to the festival since performing as part of the 2012 Red Bull Music Academy showcase.

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PLAY 2
MUTEK 2015, montreal


30/05/2015

Known as one half of haunted, bass pushing duo Sibian & Faun (alongside childhood pal Xavier Léon), Montréaler Milo Reinhardt’s creative schemes have long embraced the draw of dystopic panoramas, whether these foreboding flickers be melded into S&F’s expertly crafted, future R&B or /||\||\’s forthcoming, savagely smoggy imagery. As Sibian & Faun, Reinhardt and Léon caught the eyes and ears of industry tastemakers with I’m Sorry (2011), their debut EP of slowed down, spookily choppy soultronica for revered Glaswegian imprint Numbers. Reinhardt’s latest solo alias, /||\||\, is the perfect summation of his consciousness elevating practice as an A/V artist. /||\||\’s pending performance debut promises audio reactive visuals that evoke murky street clashes and monochromatic chaos, developed by susy.technology. All of this violent, post-human imagery is to be tightly synchronized to sound, while leaving room for live tinkering by an additional collaborator. This projection mapped piece of dogged digital artivism will mark Reinhardt’s return to the festival since performing as part of the 2012 Red Bull Music Academy showcase.
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