Banniere_web4
international festival
of digital creativity
and electronic music
Édition 18
2227.08
2017
Montréal
Québec
Canada

Myriam Bleau CA/QC

INTER_CONNECT London: This Wheel's on Fire
August 23, 2017, 21:30 - 00:45
Soft Revolvers: 22:30 - 22:55
Beyond Sound & Visual Expression: the Present and Future of Audiovisual Practices
August 23, 2017, 15:00 - 16:00
Speaker: 15:00 - 16:00
Q&A: HOLO Encounters w/ Myriam Bleau
August 25, 2017, 15:15 - 16:15
Speaker: 15:15 - 16:15
Somerset House Studios - Nocturnal City
August 23, 2017, 13:30 - 17:45
Speaker: 15:00 - 16:00
Who
Montréal composer, digital artist and performer Myriam Bleau
Style
Physical A/V performances and art installations connecting gesture with sound and physical with virtual, artist-designed instruments
Latest
Eternity Be Kind avec LaTurbo Avedon (2018)
More
Bleau's audiovisual piece Soft Revolvers, presented in multiple forms at MUTEK and internationally, features turntable-like, LED-lit instruments she designed to algorithmically trigger samples of techno, hip hop and musique concrète
MUTEKs
Montréal: 2017, Japan: 2017, Mexico: 2016, Digital Québec at the British Film Institute, MUTEK at ISEA: 2015
Links
Vimeo
Website
Le devoir
Soundcloud

Bespoke instruments that are unfamiliar yet uncannily resemble a sci-fi gene-splice of record and turntable, or everyday objects that sing and sound in alien ways – Myriam Bleau investigates the spaces between objects and their expectations, using gesture and performance to animate and activate her aesthetic inquiries.

Tying her multi-instrumentalist background – cello, guitar and piano along with instruments of her own creation – with audiovisual art, Bleau creates sound installations and performance-specific musical interfaces that move beyond the screen, complex systems that let her explore the boundaries between musical performance and digital arts. Musically, her hybrid electronic practice integrates steady beats and half-recognizable melodies into electroacoustic atmospheres: she's built music-embedded, brightly lit acrylic tops and spun them like turntables, created a large music box instrument that plays fragments of horizontally stacked engraved vinyl, snapped wine glasses apart and let the pieces vibrate into a music of their own, and orchestrated the glitching electricity of incandescent light bulbs. At festivals and in galleries, Bleau has presented her work internationally, including at Transmediale, Sonica Now, Scopitone, Lev and Sonar.

At MUTEK, Bleau performs an advanced version of her audiovisual piece Soft Revolvers, a project she designed using four large translucent acrylic tops, lit by LEDs and equipped with gyroscopes and accelerometers, their sensors collecting motion data that informs musical algorithms. As she spins the instruments' circular bodies, a halo of light emerges and the music plays – spliced and variably pitched or in clearly rhythmic sequences, a completely absorbing solitary composition never to be heard the same way again.

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